Showing posts with label Crap Public Art. Show all posts
Showing posts with label Crap Public Art. Show all posts

Wednesday, 29 June 2011

Public Art Corner #1


This quite outstanding example of public art, is taken from Leicester's "Creative Quarter", and is I'm told, part of a children's art trail.

It's actually pretty difficult to work out what it is, hidden behind it's shield of iron railings. My initial thought was that it was the candle from Disney's Beauty and the Beast (see below with his friend the clock).

After a really thorough inspection, I deduced that it's actually a representation of a weighing scales. I love how the artist has taken something really literal, and made it opaque and undecipherable. Top class public art.

Tuesday, 6 October 2009

Ashford Ring Road, Shared Space



Whenever we hear about the rights and wrongs of shared space being debated in the media, one scheme seems to be mentioned more than others – the Ashford ring road. Jeremy Clarkson hates it, I suspect Guide Dogs for the Blind aren’t too keen and local residents have complained that someone will surely be killed! I thought it was worth checking out…

Geek that I am, I actually arranged to spend the night in Ashford before I headed off to France for my hols the following day. Unfortunately, traffic and the British weather conspired against me and I ended up arriving in Ashford at about half past nine, on a dark and rainy night. As a result I didn’t get any decent photo’s (and hence why I’ve included a few from around the interweb) and I probably missed a few of the schemes intricacies.






It’s an interesting design, and perhaps not quite as radical as I’d imagined it to be. The thought of making a ring road a shared space, conjured up images of pedestrians trying to get across a dual carriageway. In reality it’s not quite as dramatic as this, and it’s pretty much a standard stretch of urban road that’s been given the shared space treatment. That said, Ashford have gone for the full shared space package – no kerbs and some big spaces where cars and pedestrians can intermingle. Personally, I think you can achieve a lot whilst still having some small kerbs and I’m not convinced that big spaces with cars and pedestrians mixing, are necessarily the best idea.








However, I’d imagine that on a nice day it’s an attractive scheme with lots of new street trees, and I particularly liked the look of some of the hard detailing. However the biggest surprise for me is the abundance of some seriously wacky public art. One of the key concepts of shared space is that by making drivers feel unsure and even uncomfortable, you reduce their speed and ensure that they behave with more consideration for other road users. Hence, I can understand the rationale for incorporating some art features. However, I think that there is also a danger that you will also make pedestrians also feel uncomfortable, by including so many seemingly incomprehensible features. I’m just not sure that the combination of rather frivolous art, and a pretty serious change in road safety policy, is a great idea. It doesn’t exactly inspire confidence and I’m not particularly surprised that so many local users have been baffled by the whole thing. I would also imagine that it rather reinforces the idea that the Council have ‘gone mad’.





The worst offender by far, is the ‘Notaroundabout’ installation (not a round about, how clever). The image below was emailed to me with just two accompanying words. Utter tosh. It looks to me like someone’s buried a rusting, miniature observatory in a giant, patio recreation of a Moorish garden.



Despite all of I’ve said, I’d still be interested to visit the scheme again – ideally in daylight. It’s a bit of an ongoing experiment really; some things have worked, others haven’t. But for anyone interested in public realm and shared space, it is fascinating. I’d also really like to hear from other people who’ve visited and experienced the scheme.

Wednesday, 29 April 2009

Things I really hate #2: Crap Public Art

I like art. I like well-designed, public spaces. I’m not sure if I like public art.

Actually, I’m not altogether certain what public art really is. Is it simply art that is located in the public realm? Or is it art that is somehow created by the public, a bit like when someone’s auntie has their poem published in the local paper? You see the former - I like, the latter - I don’t.

I’m not saying that only art designed by arty types with fuzzy hair and ethnic pantaloons is suitable, but there does need to be some assessment of whether it is a worthwhile addition to the public realm, or just art produced by members of the public. You may think that your child’s painting is wonderful, but there’s a difference between displaying it on your fridge, or 50ft high in Town Hall Square. I also dislike the idea of art being 'worthy'.

It’s strange how both grammatically and in practice, the addition of one word to another can change it’s entire meaning. Rock and soft rock. Meat and reclaimed meat. Engineering and value engineering. Music and lift music. Sheets and polyester sheets. Landscape and landscape ping. Coke and diet Coke. Art and public art.




This piece of ‘public art’ from Bristol is an absolute classic, which made me sit up and write this blog entry. It’s as if they’ve laid a blue, dog turd into the very fabric of the paving.